Here are the facts: people of color make up 37% of the U.S. population, but only 10% of children’s books published in the past 21 years include multicultural content.
That is a disconcerting gap. We know that children benefit from seeing people like themselves in the books they read, which means that for an organization working in urban schools, CLI’s collections must be as diverse as the populations we serve. Thanks to studies conducted by the Children’s Cooperative Book Center, we have statistics like the ones above that help us understand why it is so difficult to find the quantities of great multicultural picture books that we need. There just aren’t enough books.
Last week I attended the Princeton Children’s Literature Conference, the highlight of which was a panel titled “Meeting the Needs of Diversity in Children’s Literature.” Moderator Jason Low of Lee & Low Books asked authors Angela Dominquez and Shane Evans how their work helps to “move the diversity needle.” In an audience of children’s literature professionals, I’m sure I was not the only one thinking, “How am I helping to move that needle?”
I help by choosing quality multicultural picture books for CLI book collections. There may not be as many choices out there as there should be, but by finding the best ones, I can close the gap for the students CLI serves. 42% of the 80 books in our Blueprint for Early Literacy curriculum feature people of color. If we look only at the Blueprint books with human characters, th
at number rises to 80%.
I help by promoting our favorite books outside the classroom, on social media. Check out CLI’s Pinterest page for a range of diverse recommendations. Here are some of our latest featured books:
I also help close the gap by connecting with authors and illustrators of color so that we can bring them to CLI. This month we have invited Angela Dominguez to speak to CLI teachers about coming to the United States from Mexico as a child, how she became a writer, and the role of diversity in her picture books.
It is so important to give our children access to an array of high-quality books that are as diverse and vibrant as the world they live in. I am lucky to be in a position that gives me so many opportunities to promote diversity in children’s literature, but there are plenty of ways that every stakeholder can help close the gap.